There are spoilers ahead for the final season of Game of Thrones. Consider yourself warned.

Tyrion Lannister has a lot going on in the world of Game of Thrones. He serves as the Hand of the Queen to Daenerys Targaryen, offering up his strategic advice. He’s also one of the very few people who knows about Jon Snow’s true parentage and possible claim to the Iron Throne. And in this weeks’ episode, Tyrion was chief negotiator as the assembled forces in the North traveled to King’s Landing to confront his sister, Cersei, who is the current occupant of the Iron Throne.

It’s this moment that spawned a new theory on Reddit about Cersei’s chances to retain her regal position. In the episode this week, Tyrion tries to convince his sister to surrender to Dany and uses her unborn child as part of the argument. Viewers know Cersei has only just recently told her new lover (and ally in war) Euron Greyjoy that she’s pregnant with their child. But she also told Jaime that she was carrying another of their children before he left her to join forces with Jon Snow, Sansa Stark, Dany, and Brienne of Tarth.

If Cersei were newly pregnant with Euron’s child, how would Tyrion even know about it? This one simple comment could threaten Cersei’s position, Redditor grantvoyager surmises. “It might not have been intentional on Tyrion’s part, but I think that Euron might realize that Cersei’s baby isn’t his, turn on Cersei, and potentially kill her,” the user writes. “If Tyrion realized what he was doing, he hid it well. If not, it may unintentionally have huge payoffs for Dany, and likely be his most ‘clever’ move yet.”

Basically, Tyrion—perhaps unwittingly, since he isn’t necessarily aware of what lies Cersei is or is not telling regarding her pregnancy—may have seriously blown up his sister’s spot when it comes to Euron. If he knows that Cersei isn’t carrying his child, will he (and his troops) stay loyal to her?

Guess we’ll have to wait until Sunday to find out if Euron even noticed Tyrion’s comment—or if he cares.

Abby Gardner is a contributing writer at Glamour. You can follow her pop culture musings on Twitter @abbygardner or in her weekly newsletter, We Have Notes.

Celebrities went all-out for tonight’s Met Gala—as expected, given the theme, “Camp: Notes on Fashion.” The looks ranged from bold and outrageous to very literal. There was Lady Gaga, the night’s co-chair, with her multiple outfit changes; Katy Perry, cosplaying as a chandelier; oh, and Zendaya, who decided to show up to the red carpet as Cinderella.

Yup, the Spider-Man actress went back to her Disney, sort of, wearing a powder-blue princess gown custom-made for her by Tommy Hilfiger, a blonde up-do, and matching pastel makeup. And she leaned heavily into the theme.

First off, Zendaya walked the red carpet with Law Roach, her longtime stylist and “image architect,” who played the part of fairy godparent, literally waving a wand that created fairy dust. Don’t believe me? There are GIFs, people!

This is…

Disney magic!

Zendaya even committed to the “lose a slipper” part of Cinderella’s story, leaving one of her shoes on the Met steps. A Thespian!

This is Zendaya’s fifth Met Gala. She’s typically good at sticking to the theme, but this method approach to Cinderella takes things to a whole new level. She should be recruited as a co-chair next year’s gala, and the theme should be Disney. I need to see Lady Gaga shimmy up the Met steps in an Ariel fin. Emma Watson could reprise her role as Belle. The possibilities are endless!

But back to Zendaya’s look. Did I mention it literally lit up? Behold, this Disney-by-Tommy magic.

Tommy Hilfiger and Zendaya have been collaborating for a while now. In March, she unveiled her first TommyNow capsule, which garnered great reviews for its inclusive fashion show. Another collection is expected to drop in the fall.

In 2018, Cardi B’s showed up to the Met Gala dripping in pearls. (And also, very pregnant.) Her Moschino look set the standard very high. But of course, this is Cardi, and the theme was “camp”—she wasn’t going to disappoint.

Cardi brought the red to the red carpet in an absolutely massive, feathered Thom Browne creation. The high-necked gown encircled the rapper’s head, and had sleeves that went all the way to her fingertips. Vogue reports that it comes with some seriously impressive numbers: 30,000 feathers; 2,000 hours; 35 people. And that doesn’t even count the custom bodice, which features 44 carats worth of rubies acting as nipple covers, valued at $250,000—the result of a collaboration with Stefere Jewerly.

According to Vogue, the train extended a full ten feet, and required five people to help carry it up the Met steps.

“I designed this dress for Cardi specifically because she has the ultimate beauty in a woman’s body, and that is what the dress is about for me: taking advantage of that beauty,” Browne told Vogue.

While Cardi typically likes to show off a little skin—for instance, last week’s Billboard Music Awards, where she wore a canary Moschino dress that not only had a huge slit in the leg, but also showcased her abs—this Thom Browne ensemble was more covered than her usual red carpet fare. But make no mistake: It was one of her biggest fashion statements yet.

The Met Gala is unlike any other red carpet event. The dress code is more specific, the fashion more outrageous, and the guest list more star-studded than pretty much any place else. And as soon as the theme of the annual Costume Institute exhibit is announced—more than half a year ahead of the big opening—people start planning.

For stylist Jason Rembert, the stakes were a little different than in the past. Yes, he’s dressed many celebrities for the Met Gala in the past. (Rita Ora, Winnie Harlow, Issa Rae, and oh, Zayn Malik’s Versace robot arm—all Rembert.) But this year, he’d be thinking about the Met Ball from a new angle: as a designer.

Rembert announced he was launching a ready-to-wear brand called Aliétte in January. We saw one of the first looks on the red carpet, naturally—longtime client Rae wore one of its gowns to the 2019 Critic’s Choice Awards. In February, he presented his first collection during New York Fashion Week. Now he’s preparing for Aliétte’s debut on the Met Gala red carpet.

“Met Gala is like the Olympics of fashion,” he says. “You get to have fun, you get to do what you want. If you’re an actress, you’re in a beautiful dress every single carpet—this is the time you can wear that feathered headpiece, that big necklace, those gloves, those eight rings on your hand if you want. It’s a place where you can have that fashion moment you’ve dreamed of. It’s a risk-taking carpet where you can just be happy, be you, and experiment.”

Though he’ll still be styling a few clients for the red carpet, Rembert’s also creating a custom Aliétte look for Glamour editor-in-chief Samantha Barry. The planning began with a little more than a month before the first Monday in May. Step one: Agreeing on a silhouette.

“I really feel strongly about power suiting,” he says. “And the Met Gala has a theme this year that has a lot of fluidity.” Barry also loves a suit, so it was a perfect match. Next Rembert started asking questions—what her favorite colors are, makes her feel comfortable—and started sketching.

“The next day, I went fabric shopping, really excited about the project,” he says. “I pulled a gold lamé fabric; she has such an amazing personality, I wanted that to shine through. I feel like gold lamé is something that’s fun and yet powerful. I really wanted to show that off with her look.” Two weeks later, he and Barry linked up again for an initial fitting, to get her measurements and start creating the garment (or, as designers say, “do the mark line”). Two more fittings followed—the second one with accessories and any other add-ons—and Aliétte’s Met Gala debut was set.

The turnaround for this look was quick, but it’s nothing Rembert isn’t accustomed to: “It’s rushed for the timeline of making a collection, 100 percent—but working with celebrity, I’m used to making options overnight. This was definitely a lot more time for me.”

This year’s Met Gala theme is “Camp: Notes on Fashion,” with Lady Gaga, Harry Styles, Serena Williams, Anna Wintour, and Gucci’s Alessandro Michele serving as co-chairs. It invites over-the-top, tongue-in-cheek interpretations—but for Rembert, it’s all about balance. “I want the person I’m dressing to have that continuity with the theme without being so literal,” he explains. The Aliétte suit, he continues, achieves that through the marriage of a polished, tailored silhouette and the flamboyant fabric, as well as through smaller nuances in the design—a flared hem, a pleated arm, a chainmail top. “It’s very editorial, avant-garde. I feel like that’s the moment that you need when you have a ‘Camp’ theme.”

Some—read: me—might argue that The CW’s Riverdale is one of the campiest shows on television right now, with its over-the-top plot lines and Twin Peaks-adjacent aesthetic. So it’s not surprising that costars and real-life couple Lili Reinhart (Betty) and Cole Sprouse (Jughead) embraced this year’s Met Gala theme, “Fashion: Notes on Camp.”

The couple actually made their red carpet debut together at last year’s event, after months of speculation as to whether or not they were actually dating. This year, Sprouse and Reinhart are still going strong—they even showed up in looks created by the same designer, Salvatore Ferragamo.

Sprouse wore a three-button oxblood red wool sleeveless suit with raffia thread embroidery, which he paired with orange suede Chelsea boots. Reinhart’s look is not a dress, but instead aqua silk tailored track shorts and oversized sleeves with silver metallic accessories.

They looked to be enjoying themselves immensely, smiling for the cameras and working their angles.

Lili posed on the famous Metropolitan Museum of Art stairs and gave us a view of the back of her look. You can also see the dramatic glam, thanks to the harsh-in-a-good way blush and a serious bouffant accented with a major floral arrangement. She’s giving some Emma Stone in The Favourite vibes meets Sofia Coppola’s Marie Antoinette, right?

But will she tell someone to “let them eat cake” tonight? We hope so.