Just when we thought J.Lo couldn’t get more perfect, Hustlers came out. The only thing better than Ramona’s pole dancing skills are the outfits she wears, all of which are incredibly over the top and undoubtedly iconic. And while we’re always looking for ways to dress or look like J.Lo (if someone can bottle her eternal youth and sell it, let us know ASAP), her looks in Hustlers aren’t exactly something we can wear out in our day to day. That is, except for one very specific pair of high waisted leggings that are currently on sale.

The pair of leggings we’re talking about are the Koral Lustrous High Rise Leggings and they’re 25% off at Bandier during its Friends and Family Sale, which makes them $66. J.Lo’s been spotted wearing these exact leggings, both on set and off, a couple of times since March and we don’t blame her.

Not only are the leggings J.Lo-approved, but they’re also one of Bandier’s best sellers. They’re made specifically to hug your hips and waist, which means they instantly dress up your look, whether you’re in a pair of sneakers and a hoodie (like in the now-iconic Hustlers scene) or going to that bootcamp workout class you’re signed up for. Like J.Lo, these leggings have the range.

Maleficent: Mistress of Evil, Disney’s sequel to the 2014 retelling of Sleeping Beauty with Angelina Jolie that’s in theaters now, is sort of strange and dark for a fairy tale. And naturally, that’s what makes it so great. The movie covers a lot of things—motherhood, the loss of innocence, love, hate, immigration, power, magic—without losing focus. The costumes are, and I cannot stress this enough, excellent. And best of all, it honors the most enduring tropes of Disney fairy tales (spoiler: good triumphs over evil) while updating the princess narrative in subtle and powerful ways.

Just look at Aurora’s (Elle Fanning) story. She’s now 21 years old and engaged to Prince Philip. It’s hardly surprising or revolutionary that she’s marrying her first boyfriend, but we then learn they’ve been dating for five years. Five years! Compare that to the “love at first sight, married the next day” plot of, well, just pick a movie. Aurora is no sleepy princess, either. She’s the strong-willed barefoot queen of the Moors, the forest wonderland where magical creatures live, having given her previous castle to “the people.” We stan an egalitarian monarch.

Of course, this will come as no surprise to those who saw the first film, a decidedly feminist reboot of Sleeping Beauty. But Linda Woolverton—the screenwriter behind both Maleficent films and basically your entire childhood (Beauty and the Beast and The Lion King, hello!)—tells me that turning a tale of problematic true love on its head was a challenge at first. While writing the first film, she struggled with making the Disney villain sympathetic. “What on Earth happened to this woman that she was that pissed off?” she asked herself. And so, “I had to give her a real reason.”

The answer: She wrote a scene in which Maleficent is drugged by a paramour and wakes to find he’s cut off her wings. “It was…nothing we ever said out loud, but it feels like a date rape,” she tells me. “It’s funny, I worked really closely with Angelina Jolie on the whole script—she was fantastic—and we never actually said date rape. It wasn’t until after that it was like, ‘Oh, huh, that’s what that is.'”

That powerful metaphor in Maleficent’s backstory wasn’t the only twist in the first film, though. You may recall that it’s actually Maleficent herself who breaks the sleeping curse by kissing Aurora on the forehead. (Turns out the unconditional true love of a mother is greater than that of a random paramour’s.) That moment was yet another instance of Woolverton realizing, after the fact, what she had written. “For the first Maleficent, I was talking [in an interview] about the moment when Maleficent wakes Aurora up and gives this speech, and I broke down,” she says. “It was so terrible. I realized that the whole movie was an apology to my daughter for getting a divorce.” She adds, “I didn’t even realize it until that moment that the whole movie was about that.”

Perhaps you’ve heard that one in four women will experience domestic violence in her lifetime. It’s a staggering statistic. Here’s the part you probably don’t know: 99% of those cases will involve some form of financial abuse.

Serena Williams wants to do something about that. In honor of Domestic Violence Awareness Month, Williams has partnered for the third time with the Allstate Foundation’s Purple Purse initiative to raise awareness around the rampant problem of financial abuse in relationships. “She is the embodiment of women’s empowerment,” Allstate Foundation senior program officer Ellen Lisak says. “We’ve been so grateful she has brought her influential voice and platform to our program to help elevate a national conversation around these issues that are so unknown to so many people.”

“When I signed up three years, I was really shocked by the statistics,” Williams told Glamour. “It’s basically every single case [of domestic violence]. When you think about that way, it’s like how did I not know about it? What can I do to bring my voice to it and talk about it?”

“I hope that people can learn the common signs of financial abuse and that if people are victims they know that there are resources like PurplePurse.com out there to help,” she continues. “I want people to know about the horrors of financial abuse.” Through her partnership with Allstate and Purple Purse, she’s had the opportunity to talk with survivors, something that has been very meaningful to her. “I feel really lucky to be among such powerful women,” she says. “It’s important for me to use my voice to support them and help tell their stories. Together, we can help other women.”

“Victims of domestic violence are often asked, ‘Why don’t you just leave?’ and what we found is that financial abuse is one of the reasons. We found that domestic violence happens to one in four women, regardless of race or socioeconomic status and 99% of those cases also involve financial abuse,” Lisak tells Glamour. “It’s is one of the main reasons that victims remain in or return to an abusive relationship.”

“It can take on many forms, depending on the situation, but some examples include when an abuser prevents a victim from working, or they really limit their access to money or credit cards, or they even intentionally ruin their credit,” she continues. “If you have bad credit you can’t get an apartment. If you’re not working, you’re not bringing in income and you’re kind of stuck in this vicious cycle.”

Also this year, Hanukkah will be featured in Lifetime’s Mistletoe & Menorahs (which premieres December 7). It will star Kelley Jakle and Jake Epstein, and the plot goes something like this: “When a determined toy company executive, Christy (Jakle), must learn about Hanukkah in a hurry in order to land a big account, she enlists the help of her co-worker’s friend Jonathan (Epstein), who happens to also be in desperate need of turning his bachelor pad into a Christmas Wonderland to impress his girlfriend’s father. After butting heads, they realize they need each other’s holiday expertise and quickly appreciate one another’s cultures and each other. As they spend more time together, they realize they have more in common and a holiday romance lights up.” Can’t wait.

Then, in a Christmas Love Letter (premiering December 21), relationship advice columnist Amalie (Ashley Newbrough) receives an unsigned love letter and tries to solve the mystery of who sent it. Maybe she’ll find true love in the process? The film also stars Tilky Jones, Chanté Bowser, and Izzy Herbert.

Rounding out the new films is A Date by Christmas Eve on December 22, in which Chelsea, a good-hearted brand strategist for a popular dating app, discovers the app has given her magical powers. (Where’s that when I need it?) She uses her newfound ability to make all the “naughty” people in her life learn how to be good again. Of course, nothing goes as planned; and in a twist reminiscent of The Good Place, a kind neighbor is added to the naughty list, forcing Chelsea to fix things before time runs out. The film stars Vanessa Lengies, Evan Williams, Katherine Bailess, Julie McNiven, and Morgan Fairchild.